Colonel Matthew Bogdanos Awarded 2026 Marica Vilcek Prize in Art History

The Antiquities Coalition congratulates U.S. Colonel Matthew Bogdanos on receiving the 2026 Marica Vilcek Prize in Art History, an honor recognizing art historians, curators, and fine arts professionals whose work has had a profound impact on their institutions, in their scholarship, and on arts and culture more broadly.

Colonel Bogdanos is a leading voice among the global coalition of heritage professionals and law enforcement working to combat the illicit antiquities trade. As head of the Manhattan District Attorney’s Antiquities Trafficking Unit (ATU), he has transformed the fight against the illicit trade in art and antiquities. Under his leadership, the ATU has recovered more than 6,100 looted or stolen antiquities valued at over $480 million, facilitating the return of thousands of objects to their countries of origin.

The Marica Vilcek Prize recognizes not only scholarly achievement but also meaningful, lasting contributions to the arts and culture. Colonel Bogdanos’ work exemplifies this mission. Through tireless investigation, international cooperation, and unwavering commitment to justice, he has strengthened protections for cultural heritage and safeguarded the integrity of the global art market.

We applaud the continued leadership of Colonel Bogdanos, the Antiquities Trafficking Unit, and the broader coalition of professionals across the United States dedicated to protecting our shared heritage. 

Learn more here.

New Statement Builds on Five Years of Work Between Both Countries to Counter the Illicit Trade

The Antiquities Coalition welcomes the announcement of renewed cultural heritage cooperation between the Kingdom of Bahrain and the United States, reflecting an ongoing shared commitment to combat the illicit trade in cultural property and protect consumers in both countries.

In Manama on January 27, a new statement on cooperation in cultural heritage was signed by His Excellency Shaikh Khalifa bin Ahmed Al Khalifa, President of the Bahrain Authority for Culture and Antiquities (BACA) and Allison Hooker, Under Secretary of State for Political Affairs.

This updated statement builds upon the principles outlined in the landmark 2021 Manama Statement of Cooperation, which emphasized the importance of protecting and preserving cultural heritage through international partnership.

Together, Bahrain—a growing leader in the region on cultural heritage preservation—and the United States—the world’s largest art and antiquities market—are uniquely positioned to make meaningful progress in disrupting cultural racketeering networks and promoting responsible market practices.

The new statement reflects a strengthened bilateral focus on:

• Enhancing the exchange of information to prevent illicit trafficking of cultural property
• Sharing best practices and raising awareness of legal protections for heritage
• Supporting networks dedicated to combating the illicit trade in art and antiquities
• Promoting responsible art market standards and advancing cultural exchange

The governments of Bahrain and the United States are to be commended for their continued leadership and dedication to safeguarding our shared cultural heritage. Building on the momentum of the 2021 Manama Statement, this new statement signals that when nations work together, meaningful change remains possible.

The Founder and Chairman of the Antiquities Coalition, Deborah Lehr, was delighted to join an evening hosted by the Italian Ambassador to the United States at the beautiful Villa Firenze to mark a major milestone: 25 years of the U.S.–Italy Cultural Property Agreement.

The event brought together senior leaders from government, law enforcement, museums, and the legal community to celebrate one of the most successful and enduring models for protecting cultural heritage and combating the illicit trade in antiquities.

Signed in 2001 and renewed four times—most recently on December 5, 2025—the U.S.–Italy Cultural Property Agreement is now the longest-standing Cultural Property Agreement in continental Europe. Its longevity is no accident. It reflects both its effectiveness and the deep, sustained partnership between the United States and Italy in confronting looting, trafficking, and organized crime.

For a quarter century, the agreement has demonstrated that Cultural Property Agreements work. They secure U.S. borders against stolen and looted antiquities, reduce demand for trafficked cultural objects, and support lawful cultural exchange. Just as importantly, they serve as powerful diplomatic tools—strengthening bilateral relationships while safeguarding humanity’s shared heritage.

The evening featured remarks and participation from an impressive group of leaders, including H.E. Marco Peronaci, Ambassador of Italy to the United States; Darren Beattie, Senior Bureau Official at the U.S. Department of State’s Bureau of Educational and Cultural Affairs; Brigadier General Antonio Petti, Commander of Italy’s Carabinieri Unit for the Protection of Cultural Heritage; Charles Wall, Deputy Director of U.S. Immigration and Customs Enforcement; and Scott R. Schelble, Deputy Assistant Director for International Operations at the FBI.

Deborah Lehr joined a panel discussion alongside Chase F. Robinson, Director of the Smithsonian’s National Museum of Asian Art, and Channah Norman, Co-Chair of Art Law at Shook, Hardy & Bacon LLP, to explore how governments, museums, and the private sector can work together to address the illicit trade in antiquities. The conversation highlighted the tangible, real-world impact of the agreement—and the importance of continued collaboration.

A Model for Combating Looting

The Cultural Property Agreement complements Italy’s robust domestic efforts to combat antiquities trafficking, particularly through the Carabinieri’s Art Crime Squad—the world’s first national force dedicated to protecting cultural heritage. The results speak for themselves. In 2013 alone, Italy reported a 29 percent decrease in looting compared to the previous year, alongside a 6 percent increase in individuals reported for cultural heritage crimes.

Strengthening Cultural Diplomacy and Exchange

Beyond enforcement, the agreement has been a cornerstone of cultural diplomacy. In 2013, the White House cited the U.S.–Italy Cultural Property Agreement as a keystone of bilateral educational exchange. Italy continues to welcome American researchers and students and has generously loaned collections to U.S. museums, reinforcing the principle that protecting heritage and sharing culture go hand in hand.

Returning Cultural Heritage Home

The agreement has also played a critical role in facilitating the return of stolen heritage. In May 2024, the United States returned roughly 600 looted and stolen artifacts to Italy, valued at an estimated $65–80 million. Italy’s Ministry of Culture marked the occasion with a public presentation and temporary exhibition—raising awareness about the devastating impact of looting and trafficking.

As the Antiquities Coalition looks ahead, the message from the evening was clear: Cultural Property Agreements help to protect borders, enable exchange, and strengthen diplomacy. They protect the US consumer. They are practical, proven tools—and they work.

The Antiquities Coalition remains committed to advancing these agreements and to building the partnerships needed to safeguard the past and secure the future.

Guest contribution from Ian Tennant from the Global Initiative Against Transnational Organized Crime (GI-TOC)

As demonstrated by dedicated events in recent fora, such as the 11th Conference of States Parties to the UNCAC in Doha, there is a growing momentum to address the illicit trade in art and antiquities—but as our work at the Global Initiative Against Transnational Organized Crime (GI-TOC) shows, this criminal market remains widely misunderstood.

From the available research and analysis, it is clear that antiquities trafficking is uniquely vulnerable to abuse and criminality because both legal and illegal objects often move through the same channels in a “grey market,” where anonymity, secrecy, and opaque ownership histories are the norm. For authorities and genuine enthusiasts and dealers to differentiate between legal, illegal, fake, and genuine artefacts is extremely challenging, particularly in an international art market that has not historically encouraged external scrutiny or transparency.

These conditions create fertile ground for corruption. Across regions affected by insecurity or conflict, looting increases as economic hardship grows and state authority weakens. From the circulation of artefacts looted by the Islamic State in Iraq and Syria through transnational criminal networks, to large-scale trafficking in parts of Europe, antiquities crime consistently intersects with corruption and broader organized crime ecosystems.

High value, secrecy, and weak oversight make cultural objects attractive for laundering profits and financing criminal activity. GI-TOC research has documented the scale of antiquities trafficking in North Macedonia, where an estimated 100,000 cultural objects are believed to have been illicitly removed from the country. These losses point to how organized criminal networks exploit weak oversight, corruption, and established smuggling routes to move cultural objects into international markets—often alongside other illicit goods. 

Encouragingly, this issue is gaining greater international attention. Recent discussions surrounding both UNCAC and the UN Convention against Transnational Organized Crime (the UNTOC) reflect growing recognition that trafficking in cultural property is not only a threat to heritage, but also to security, governance, and prosperity.

Public awareness and genuine international cooperation are essential to disrupt a trade that causes irreversible harm and thrives on corruption. Combating this crime requires a holistic, multi-sectoral response—one that strengthens local resilience while addressing the transnational drivers, enablers, and markets that sustain demand. 

Context: Advancing Action on Cultural Racketeering through UNCAC

On the margins of the world’s leading anti-corruption forum, governments and experts are increasingly working together to confront cultural racketeering as a corruption-enabled crime.

During the 11th Conference of the States Parties to the United Nations Convention against Corruption (UNCAC), convened in Doha, representatives from the Antiquities Coalition, the United Nations Office on Drugs and Crime (UNODC), the UK Department for Culture, Media and Sport, the Arab Republic of Egypt, the Italian Republic, and the Global Initiative Against Transnational Organized Crime convened a panel to examine how UNCAC’s existing tools can be more consistently and effectively applied to crimes involving looted and trafficked cultural heritage.

These discussions reflect a growing international consensus: protecting cultural heritage requires coordinated anti-corruption action—and UNCAC offers a critical framework to do so, alongside the broad range of international cooperation tools at our disposal. To help drive action, more granular analysis and policy engagement is needed.  

On the margins of the world’s foremost anti-corruption forum, governments and experts advance coordinated action to protect cultural heritage.

December 17, 2025 – Doha, Qatar — On the margins of the 11th Conference of States Parties (CoSP) to the United Nations Convention against Corruption (UNCAC), a growing international coalition convened to accelerate coordinated action against cultural racketeering—a form of crime increasingly recognized as an enabler of corruption, terrorist financing, and national security threats.

Representatives from the Antiquities Coalition, the United Nations Office on Drugs and Crime (UNODC), the UK Department for Culture, Media and Sport (DCMS), the Arab Republic of Egypt, the Italian Republic, and the Global Initiative against Transnational Organized Crime met to examine how UNCAC’s existing tools can be more consistently and effectively applied to crimes involving looted and trafficked cultural heritage.

Each UNCAC CoSP has grown the coalition confronting cultural racketeering—and sharpened its focus. This year’s Antiquities Coalition side event, “Leveraging the UNCAC to Combat Cultural Racketeering,” reflected that evolution, bringing together a broader range of states and practitioners prepared to move beyond conceptual discourse toward tactical implementation. With cultural heritage crime now firmly embedded within global anti-corruption discussions, participants emphasized multilateral cooperation, practical application of the treaty’s provisions, and the importance of formal mechanisms to sustain progress.

Delegates from the Republic of Italy and the Arab Republic of Egypt demonstrated how their countries have successfully leveraged UNCAC to pursue accountability and justice in cases involving crimes against nationally significant cultural heritage. The UK DCMS highlighted the impact of UNCAC-guided international coordination and training initiatives, and called for continued leadership to strengthen adherence to the treaty.

Speaking on behalf of UNODC, Murat Yildiz, Trafficking in Cultural Property Lead for the Global Programme on Criminal Network Disruption, underscored that UNCAC provides practical tools to disrupt cultural racketeering networks, identifying systematic application as the essential next step.

Antiquities Coalition Executive Director Tess Davis concluded her remarks highlighting a few aspects of the UNCAC that make it a powerful framework to combat cultural racketeering. 

• Broad scope: UNCAC reaches far beyond cultural heritage law, enabling action against the full ecosystem of cultural racketeering—including corruption, forgery and fraud networks, money laundering, sanctions evasion, asset concealment, and the misuse of offshore jurisdictions and shell companies.
• Stronger obligations: UNCAC imposes clear, binding duties on States Parties through mandatory “shall” language, in contrast to the more discretionary standards common in cultural heritage conventions.
• Wider participation: As one of the most widely ratified UN instruments, UNCAC brings in States not party to key cultural heritage treaties, expanding jurisdictional reach and cooperation.
• Criminalization: UNCAC directly criminalizes underlying conduct, complementing UNESCO and UNIDROIT conventions, which focus on norms rather than enforcement
• Robust asset recovery: UNCAC places asset recovery at the heart of the treaty, mandating extensive international cooperation and return of stolen property through State-to-State processes.

Now is the time, participants concluded, for sustained momentum to translate into concrete outcomes, beginning with targeted implementation of the convention and the development of a dedicated resolution reflecting the scale, seriousness, and global impact of cultural racketeering.

Read the UN Convention Against Corruption, here. 

Revisit outcomes from the 10th CoSP, Adding Cultural Racketeering to the Campaign Against Corruption.

“Smart criminals launder their money with art.” — Tim Carpenter, Argus Cultural Property Consultants

On November 17, in Washington, DC, AC Executive Director Tess Davis joined the Hudson Institute for the event “Rogue Galleries: Tackling Illicit Finance in U.S. Art Markets.” The Hudson Institute, a leading public-policy think tank based in Washington, convened the Antiquities Coalition, Tim Carpenter (Argus Cultural Property Consultants), and Scott Greytak (Deputy Executive Director, Transparency International U.S.) to expose how art-market vulnerabilities threaten American consumers—and even U.S. national security.

Art is increasingly bought and sold as a financial asset, yet it isn’t protected as such under U.S. law. Guided by moderator Nate Sibley, Director of the Kleptocracy Initiative at the Hudson Institute, the speakers underscored a growing and troubling reality: criminal networks, corrupt foreign officials, and sanctioned individuals are exploiting the opacity of high-value art transactions to launder illicit wealth.

Greytak noted that while other avenues for moving dirty money have been closed in the United States, “art is still a very much open avenue.”

A bipartisan solution is now before Congress. The Art Market Integrity Act would extend the same commonsense anti–money laundering protections already applied under the Bank Secrecy Act to other high-risk industries. Extending the BSA to art will provide much-needed consumer protections, helping to prevent fraud, promote transparency, and otherwise ensure that collectors, dealers, museums, and investors can participate in the market with greater confidence.

Watch the full discussion here.

Learn more about the Art Market Integrity Act.

On November 18, Antiquities Coalition Executive Director Tess Davis joined cultural heritage officials, law enforcement officers, and international experts for a UNESCO-led training on Fighting Illicit Trafficking of Cultural Property in the Republic of Moldova. Davis delivered a presentation titled “Illicit Trafficking in Cultural Property: From Illegal Excavations to the Market,” offering a comprehensive overview of how looted cultural heritage moves from the ground to the global marketplace.

Cultural racketeering is not an abstract threat but a global criminal enterprise that fuels corruption, finances conflict, and strips communities of their history and heritage.

To illustrate the realities of cultural racketeering—from the looting pits to the auction stand—Davis examined the case of Douglas Latchford, once celebrated as an “adventurer scholar,” later revealed as one of the most prolific traffickers of Khmer antiquities in modern times.

Key Takeaways 

1. Cultural racketeering is intertwined with transnational organized crime. The illicit trade depends on the same networks that drive trafficking in drugs, weapons, and wildlife.
2. Latchford’s network demonstrates the extreme vulnerability of archaeological sites during armed conflict. The opacity of the international art market provides dealers and collectors with the illusion of legitimate trade—shielding them from the violent origins of the artifacts they buy.
3. Illegal excavations leave lasting scars. While the return of many Khmer treasures is deeply encouraging, this process took more than fifty years—and countless stolen artifacts may never be recovered.

Stopping illegal excavations at the source remains the most effective way to combat the illicit trade in cultural property. And the strongest way to stop looting is to reduce global demand for unprovenanced antiquities. To end cultural racketeering, we must understand and secure the market itself. That means working collaboratively with the private sector, international policymakers, and law enforcement to strengthen protections across the entire supply chain.

The Antiquities Coalition is proud to support UNESCO and the Republic of Moldova in this critical effort to safeguard cultural heritage and disrupt the criminal networks that threaten it.

As part of the build-up to the G20 Summit in South Africa, last month saw the convening of the G20 Culture Working Group (CWG) in Zimbali, KwaZulu-Natal. 

On October 29, the G20 Culture Ministerial concluded the meeting with the adoption of the KwaDukuza Declaration of Culture. The Declaration prioritizes the CWG’s four guiding principles, outlining a collective framework for cooperation in preserving cultural heritage, promoting creative industries, and fostering cultural diversity and dialogue among member countries.

Addressing the greatest threats to cultural property, the Department of Sport, Arts and Culture of South Africa stated, 

“…by adopting this Declaration, among others, members call for stronger and more effective global coordination to fight against the illicit trafficking of cultural property; strengthening of national policy frameworks; and adequate public investment in the protection and promotion of culture.”

The Declaration affirmed the threat illicit trafficking of cultural property poses to cultural heritage and secure economies, highlighting cultural racketeering as a contributor to transnational organized crime around the world. The CWG laid out a roadmap for Members to fight the illicit trade in cultural property: 

• Build Capacity—Facilitate cooperation, technical exchanges, provenance research, heritage inventory management, and education
• Equip Specialized Enforcement—Establish specialized national and regional structures and tools, such as specialized law enforcement units and databases of stolen cultural objects, updated and interconnected with INTERPOL’s relevant policing capabilities
• Educate Key Stakeholders—Engage and educate dealers, cultural managers, museums, galleries, and auction house professionals, as well as law enforcement and judiciary authorities
• Explore Emerging Tools—Foster collaboration to leverage the potential of AI in the fight against illicit trafficking of cultural property

The CWG also advanced calls for cultural restitution, with the Presidency inviting all G20 members “to support the establishment of an International Cultural Restitution Fund that helps with provenance research, storage, and repatriation logistics—especially for nations without the resources to do so alone.” 

Since its establishment in 2020, the G20 Cultural track has been a leading force in strengthening international cooperation against illicit trade in antiquities. The South African presidency recognized the work of past presidencies as well as other multilateral organizations in advancing culture on the G20 agenda, acknowledging that protecting shared heritage requires shared solutions.

In handing over the G20 presidency to the United States—the largest art market in the world—for 2026, Minister Gayton McKenzie entreats:

“We trust you to carry forward the work we have begun: to champion digital fairness for creators everywhere; to continue the restitution of artefacts and ancestral remains; to defend cultural heritage as a tool for peace; to make culture a permanent pillar of the G20 agenda.” 

The AC welcomes these outcomes, which reflect our own recommendations made in our Task Force Report, Safeguarding Cultural Heritage In Conflict Zones: A Roadmap for the G20 to Combat the Illicit Trade, published in 2021.

Read the KwaDukuza Declaration of Culture, here.

Last week, Antiquities Coalition Executive Director Tess Davis spoke at a two-day working group meeting on Mapping Trafficking in Cultural Heritage in the Middle East: Trends, Conflict-Driven Vulnerabilities, and Regional Responses. The convening, hosted by the Arab Republic of Egypt in partnership with the United Nations Office on Drugs and Crime (UNODC) and with support from the UK’s Department for Culture, Media and Sport (DCMS), was held at the National Museum of Egyptian Civilization in Cairo.

Together, regional and international experts discussed the growing threat of antiquities trafficking, which enables transnational organized crime and terrorism, and which strips countries of valuable cultural heritage. 

The United Nations Office on Drugs and Crime (UNODC) highlighted: 

“With globally increased recognition of the transnational crime elements in cultural property trafficking, UNODC’s role comes to the fore: as guardian of the United Nations Convention against Transnational Organized Crime (UNTOC). UNODC supports member states in implementing crime prevention and justice responses, and in facilitating broad international cooperation to counter such crimes.”

A criminal justice approach is crucial for combating the transnational threats underlying cultural racketeering. Collaboration between international and regional partners is an essential milestone in the journey towards protecting cultural heritage for all. 

Learn more about how the UN is advancing stronger criminal justice responses to cultural racketeering.

Read the UNODC Press Release, here. 

In this two-part blog series, the AC returns to the question: How did Douglas Latchford—who for decades was a “one-man supply-and-demand” of cultural treasures looted from the Southeast Asian nation of Cambodia—first launch his criminal career? According to groundbreaking research, the answer lies in a little known case from 1960s Thailand. 

We sat down with international experts, whose recent investigations are shedding light on how Latchford built his criminal empire, long before his better-known operations in Cambodia. The Prakhon Chai Hoard—a collection of Buddhist bronze sculptures (7th–9th c. CE) looted from the Plai Bat II Temple complex in southeastern Thailand—represents one of the earliest chapters in Latchford’s long career of cultural racketeering.

The bronzes’ origin and path into Western museums and collections—long debated—are becoming clearer thanks to the extensive work of Dr. Tanongsak Hanwong and his research team, including Dr. Lalita Hanwong and Dr. Stephen A. Murphy. Their recently published findings about the Prakhon Chai Hoard case also reveal previously unknown details of Latchford’s criminal activity before his trafficking operations in Cambodia, where he relied on many of the same accomplices and smuggling techniques.

Following up on our recent discussion with Dr. Angela Chiu about the enduring consequences of this type of cultural plunder, the AC was pleased to speak with Dr. Tanongsak Hanwong,* an archaeologist and member of a Thai government committee for the repatriation of stolen artifacts, to discuss what this latest repatriation reveals about accountability in the art world—and what must come next. 

Learn more. Read Hanwong et al’s article, “The Prakhon Chai Hoard Debunked: Unravelling Six Decades of Myth, Misdirection, and Misidentification.”