In addition to lives and education, Taliban wiping out Afghanistan’s artistic heritage


Every year thousands of artefacts are stolen from tombs and museums, resold in the West and, increasingly, in the Gulf as “unprovenanced” works. Two days ago, one of Ghaznain Fort’s ancient towers collapsed. Seized by the Taliban, the Minaret of Jam could end up like the Bamiyan Buddhas.

Kabul (AsiaNews) – The Taliban are not only taking the lives of thousands of civilians every year and depriving children of an education, but are also stripping Afghanistan of its artistic and cultural heritage, this according to David Thomas, an archaeologist with extensive experience in the Middle East, North Africa and Central Asia.

In an interview with the Antiquities Coalition, a US-based NGO against cultural racketeering, Thomas said that “a lot of the unprovenanced objects from the ‘eastern Iranian world’ on the art market (and in some museum collections) come from Afghanistan, and some of them come from Jam. The main markets are in the West and increasingly in the Gulf.”

According to the archaeologist, a lot of Afghan art, such as carved wooden doors from Islamic graves or museums, leave the country every year. “Most of the local people who loot archaeological sites are just trying to survive and feed their families during desperate times,” he explained.

The latest work of art to end up in Taliban control is the Minaret of Jam (picture 1), in the unstable province of Ghor.

To prevent the structure’s collapse due to heavy flooding, the Afghan government sent staff to stabilise the building, which is set on an octagonal base, and soldiers to protect the site. However, the Taliban had already taken over the area, killing 18 government security personnel.

Jam’s is the second tallest brick minaret in the world. At 65 metres, it stands next to the Hari Rud River, which is nestled between mountains that reach 2,400 metres.

It is one of the finest examples of Islamic architecture, with coloured engravings of verses from the Qurʼān, stuccoes and glazed tiles decorations, alternating with bands of Kufi and Nakshi calligraphy.

It dates back to 1173 and was built by the Ghurid dynasty which ruled Afghanistan as well as Iran and parts of India, Pakistan and Central Asia. The rulers converted to Islam from Buddhism in the 12th century.

In 2002, UNESCO declared it a World Heritage Site, along with the surrounding the archaeological site, which has been looted over the years, Thomas said.

Thanks to fieldwork and satellite imagery, some 1,100 robber holes have been identified, including 121 in a 50-metre wide strip that runs between the fortress and he ancient bridge opposite to the minaret.

Before the Minaret of Jam, the Taliban shocked the world with the destruction of the Buddha statues in Bamiyan (picture 2), blown up in 2001 on orders of Mullah Omar who considered them “pagan idols”.

The priceless and imposing statues, 53 and 35 metre tall, were carved in stone in the third century AD.

In addition to the Taliban’s cultural devastation, Afghanistan’s cultural heritage has also suffered from official neglect. The authorities in fact have failed to protect what is in the areas they control.

This is the case of an ancient tower that was part of Ghaznain Fort of (picture 3), in the city of Ghazni, until it collapsed two days ago. The authorities blame heavy rains, but locals blame the government.

The tower’s collapse is the latest example of the neglect Afghanistan’s cultural and artistic heritage faces, which, amid wars, looting and remoteness, is at risk of biting the dust of history.

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The Minaret of Jam: David Thomas’ Interview with the Antiquities Coalition

After the Taliban captured the Minaret of Jam two weeks ago in their latest attack on our world heritage, the Antiquities Coalition sat down with an archaeologist with experience in and around this UNESCO World Heritage Site. David Thomas is an archeologist with extensive experience in the Middle East (Jordan, Syria, Turkey), North Africa (Libya, Egypt, Sudan) and central Asia. He began working in Afghanistan in 2003 as the lead archaeologist on a UNESCO impact assessment at Jam. Since then, off and on, Thomas has continued to work at the site. Thomas is also the author of The Ebb and Flow of the Ghurid Empire, a book that includes Thomas’ research at Jam. 

To read the Antiquities Coalition press release about the Taliban’s attack on the Minaret of Jam, click here.


Why is the Minaret of Jam important?

The Minaret of Jam is an architectural masterpiece. It is the second tallest pre-modern minaret in the world and is located at what is thought to be the Ghurid Dynasty’s summer capital of Firuzkuh. It dates to c. 1173/74. The minaret and surrounding archaeological site became Afghanistan’s first World Heritage Site in 2002. The minaret has been leaning for years and is at risk from spring floods eroding its foundations.

Can you tell us about your research regarding looters pits around the site?

Looting pits around the Minaret of Jam demarcated by red dots
Robber hole near the Minaret of Jam

We were shocked when we saw how badly looted Jam was in 2003. The British traveler, now politician, Rory Stewart drew attention to the looting in his book The Places in Between, but nobody knew how many robber holes there were or where they were. Without that sort of baseline information, it is impossible to tell how extensive the looting has been and whether it has stopped. So we started recording the robber holes and I realized that although the looting is terribly destructive, the robber holes can still tell us about the site. By mapping each robber hole and recording any visible architecture and broken bits of pottery, we started to piece together what the capital was like, what sort of buildings the inhabitants lived in, what animals they kept, what crops they grew, etc. We should not give up on a site or think that nothing can be salvaged from the destruction just because it has been looted. I then looked at high-resolution satellite images to identify robber holes and map the extent of the site, as people do not continue digging robber holes if they are not finding anything. Based on our fieldwork in 2005, we recorded 121 robber holes in a 50-meter wide strip running from the fortress to the ancient bridge opposite the minaret. We calculated that amounted to 1,250 square meters and the robbers had removed 1300 cubic meters or 11% of the survey area. 70% of the robber holes exposed architecture. I counted over 1,100 robber holes in a satellite image of the site.

Do you have a sense of where the looted items are going?

One member of my team, Iain Shearer, spent quite a bit of time talking to local people about the looting, to build up a picture of what was found, where, what happened to it, etc. The suspicion is that a lot of the unprovenanced objects from the “’eastern Iranian world” on the art market (and in some museum collections) come from Afghanistan, and some of them come from Jam. The main markets are in the West and increasingly in the Gulf. We recorded a beautiful carved wooden door that the locals had rescued from people robbing an Islamic grave. They said another similar door had been sold for $21,000 in a nearby market in the late 1990s, and doubtless then on-sold at increasingly inflated prices.

How has looting impacted the local population?

Most of the local people who loot archaeological sites are just trying to survive and feed their families during desperate times. I would like to think that our fieldwork provided local people with an alternative, legitimate source of income, which makes it even sadder that we could not return and continue building relationships with them. Studies in Iraq have shown that archaeological sites which have been excavated are often protected by local people where they can, although there are obviously exceptions. Locals grow to understand the history and significance of their heritage and take pride in it. The looting endangers local people because it increases the risk of outsiders trying to take control of a site to further loot it. For example, the looting that has taken place at the Hellenistic site of Aï Khanoum has been on an industrial scale. Now, the Taliban have attacked workers trying to protect the Minaret of Jam from the recent floods. There have been threats in the past to blow up the minaret. I am really worried about the safety of the local people who were so kind and helpful to us when we were lucky enough to work at Jam in 2003 and 2005.

Can you tell us a bit about your background and experience in Afghanistan?

I am an archaeologist. I did my undergraduate degree at Cambridge University, a master’s at the University of Southampton, and my Ph.D. on Jam and the Ghurids at La Trobe University. I spent quite a bit of time digging in the Middle East (Jordan, Syria, Turkey), North Africa (Libya, Egypt, Sudan) and central Asia from the mid-1990s to mid-2000s.

I got the chance to go to Afghanistan when a friend could not go and recommended me. I was the lead archaeologist on a UNESCO impact assessment at Jam in 2003. We were trying to find a route for a much-needed road that would have the least impact upon the site. I wanted to do three month-long seasons of fieldwork, but UNESCO funding dried up. We raised our own funding to return in 2004 but had to postpone because of a rebellion. We got to Jam in 2005, but the 2006 season had to be canceled at the last minute. In 2007, we were unable to leave Kabul, so we focused on capacity building at the Kabul Museum and University.

12th-century UNESCO site in Afghanistan captured by Taliban

By Antonio Pacheco

Jun 3, 2019 12:30 PM EST

Minaret of Jam
The Taliban captured the 12th-century Minaret of Jam and killed 18 Afghan security personnel tasked with protecting the World Heritage Site. Pro-government forces have yet to re-secure the area. The current condition of the brick structure and the surrounding communities, who were both threatened by torrential flooding just last week, is still unknown. — The Antiquities Coalition

Nearly two decades after the American-led invasion of Afghanistan began, significant works of Islamic heritage continue to fall under threat in the country.

Just last week, for example, the 12-Century era Minaret of Jam, the world’s second tallest Islamic tower, appears to have been captured by the Taliban. While the ultimate fate of the UNESCO-recognized tower remains unknown, the 213-foot-tall brick minaret, one of the most significant cultural and holy sites in the country, joins a long list of relics that have been captured, damaged, or totally destroyed by the Taliban group.

In 2001, for example, the Taliban-led government famously dynamited the Buddhas of Bamiyan in northeast Afghanistan, a spectacle that garnered worldwide condemnation.

According to The Antiquities Coalition, “This destruction has gone hand in hand with the organized looting and trafficking of antiquities by the Taliban, Haqqani Network, and other organized criminal gangs with ties to various militant forces. Experts have long feared that these so-called “blood antiquities” are being marketed to unsuspecting buyers in the $26.6 billion U.S. art market. Homeland Security Investigations have seized and repatriated a number of Afghan antiquities including coins known to have been looted by the Taliban—while others are currently being investigated and prosecuted by the Manhattan District Attorney’s Office.”

Read the original article here.